Mia Farrow

Maria de Lourdes Villiers-Farrow (born February 9, 1945), better known as Mia Farrow, is an American actress, singer and former fashion model. Farrow has appeared in more than forty films and won numerous awards, including a Golden Globe award (and seven additional Golden Globe nominations), three BAFTA Film Award nominations, and a win for best actress at the San Sebastian International Film Festival.[1] Farrow is also notable for her extensive humanitarian work as a UNICEF Goodwill Ambassador. Her website contains a guide on how to get involved with Darfur activism, along with her photos and blog entries from Darfur, Chad, and the Central African Republic. In 2008, she was selected by Time magazine as one of the most influential people in the world.
Farrow screen-tested for the role of Liesl von Trapp in The Sound of Music. That footage has been preserved, and appears on the fortieth Anniversary Edition DVD of The Sound of Music. Farrow began her acting career by appearing in supporting roles in several 1960s films. However, she achieved stardom on the popular primetime soap opera Peyton Place as naive, waif-like Allison MacKenzie, a role she later abandoned at the urging of husband Frank Sinatra. Her first leading film role was in 1968's Rosemary's Baby, which was a major critical and commercial success at the time and continues to be widely regarded as a classic of the horror genre.

Farrow's performance in Rosemary's Baby garnered numerous awards, including the Golden Globe Award for New Star Of The Year - Actress, and established her as a leading actress. Film critic and author Stephen Farber described her performance as having an "electrifying impact… one of the rare instances of actor and character achieving a miraculous, almost mythical match. If Ira Levin's story shrewdly taps into every pregnant woman's fears about the stranger growing inside her, Mia Farrow gives those fears an achingly real and human force".[4] Film critic Roger Ebert noted that "the brilliance of the film comes more from Polanski's direction, and from a series of genuinely inspired performances… The characters emerge as human beings actually doing these things. A great deal of the credit for this achievement must go to Mia Farrow, as Rosemary".[5] Following Rosemary's Baby, Farrow was to be cast as Mattie in True Grit and was keen on the role. However, prior to filming she made Secret Ceremony in England with Elizabeth Taylor and Robert Mitchum. Mitchum told her about director Henry Hathaway being rude to actresses. Farrow asked producer Hal Wallis to replace Hathaway, Wallis refused. Farrow quit the role which was given to Kim Darby.[6] Secret Ceremony divided critics, but has gone on to develop a devoted following. Farrow's other late '60s films include John and Mary, opposite Dustin Hoffman.

In the 1970s, Farrow appeared in a number of notable films, including the 1971 thriller See No Evil, legendary French director Claude Chabrol's 1972 film Docteur Popaul, and the 1974 version of The Great Gatsby, in which Farrow played "Daisy Buchanan". She also appeared in director Robert Altman's cult classic A Wedding in 1978. Farrow also appeared in a number of made for television films in the 1970s, most notably portraying the title role in a 1976 musical version of Peter Pan. In 1979, Farrow appeared on Broadway opposite Anthony Perkins in the play Romantic Comedy by Bernard Slade.

In the 1980s and early '90s, Farrow's relationship with director Woody Allen resulted in numerous film collaborations. She appeared in nearly all of Allen's critically acclaimed films during this period, including leading roles in Hannah and Her Sisters (playing the title role of "Hannah"), The Purple Rose of Cairo, Broadway Danny Rose, and 1990s Alice, again as the title character. Farrow also played Alura, mother of "Kara" (Helen Slater), in the 1984 movie Supergirl and voiced the title role in 1982's animated film The Last Unicorn.

Citing the need to devote herself to raising her young children, Farrow worked less frequently during the '90s. Nonetheless, she appeared in leading roles in several notable films, included 1994's Widows' Peak (an Irish film) and the 1995 films, Miami Rhapsody and Reckless. She also appeared in several independent features and made for television films throughout the late 1990s and early 2000s. She also wrote an autobiography, What Falls Away (New York: Doubleday, 1997).

Farrow most recently appeared as "Mrs. Baylock", the Satanic nanny, in the 2006 remake of The Omen. Though the film itself received a lukewarm critical reception, Farrow's performance was widely praised, with the Associated Press declaring "thank heaven for Mia Farrow" and calling her performance "a rare instance of the new Omen improving on the old one."[7] Filmcritic.com added "it is Farrow who steals the show",[8] and the Seattle Post-Intelligencer described her performance as "a truly delicious comeback role for Rosemary herself, Mia Farrow, who is chillingly believable as a sweet-talking nanny from hell."

Mia Farrow

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